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Junk Culture is much stronger, pulling away further from sparkling pop while retaining smart melodies in far denser and newly dance-based styles. It does contain the striking “Genetic Engineering” (which integrates a Speak and Spell toy to make a point) and “Radio Waves,” as well as some amazing sounds and a powerful atmosphere to recommend it.
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The conceptual Dazzle Ships overreaches by a mile, succumbing to excessive found-tape gimmickry in lieu of adequate songwriting. An intriguing and highly inventive use of the technology. is an American condensation of the band’s first two British albums, including both catchy OMD standards, “Enola Gay” and “Electricity.” Recommended.Īrchitecture & Morality struggles with new techniques, and includes two magnificent, ethereal hit singles: “Souvenir” and “Joan of Arc.” OMD is again experimenting with sound and much of the album sounds more naturalistic than electronic. With nods to John Foxx and David Bowie, OMD overlays melodies to dramatic effect the performances are excellent. It also pays attention to ensure variation in the tunes, a problem that mars the first LP. Organisation (which originally included an excellent bonus single of early tape experiments and live tracks) introduces drummer Malcolm Holmes and ethereal synthesizer techniques that suit the depressive subject matter of “Enola Gay” and the like. Thanks to a knack for melodies and hooks, notable attractions are the catchy “Electricity” and “Messages.” Aided by Dalek I’s Andy Gill, McCluskey and Humphreys build the songs up from computer-generated rhythms, polishing the synthesizer song into a full-bodied medium. Orchestral Manoeuvres in the Dark is a demonstration of stylish electro-pop. Abandoning their formula after two albums, however, OMD proved capable of far more ambitious creations not tied to the apron strings of technology. They proved early on that electronics were capable of interacting comfortably with regular rock instruments and not chill the mood. Moving from electronic tape experiments to highly polished synthesizer pop and beyond, Liverpudlians Andy McCluskey (bass/vocals/keyboards) and synthesist Paul Humphreys (with other fulltime members, including - very significantly - a corporeal acoustic drummer) were among the most successful practitioners of electro-pop, as first demonstrated by a delightful string of singles. Messages: A Tribute to OMD (Oglio) 2001.Pretending to See the Future: A Tribute to OMD (UK Shelflife) 2000.The History of Modern (UK Blue Noise) 2010 (Bright Antenna) 2010.Live: Architecture and Morality and More (Eagle Rock Entertainment) 2008.Navigation: The OMD B-Sides (UK Virgin) 2001.Architecture & Morality (Virgin / Epic) 1981 (Virgin) 1994.Orchestral Manoeuvres in the Dark (UK DinDisc) 1980 (Virgin) 1987.
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Scroll down to read the full tracklist and order it here. Visit OMD’s official website for further details of all the band’s shows. The band will also embark on a huge world tour later this year, including 21 UK dates listed in full below.
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To coincide with the band’s Liverpool show, there will be upcoming exhibitions happening at the British Music Experience and Museum Of Liverpool to celebrate the band’s impressive legacy. The band, Andy McCluskey, Paul Humphreys, Martin Cooper and Stuart Kershaw will be starting in October in Portugal, stretching through to February 2020, finishing in Paris. Souvenir is the latest exciting installment of the band’s anniversary celebrations which first saw the reissue of their first four classic albums on 180g vinyl, mastered at half speed by Miles Showell at Abbey Road and housed in their original iconic die cut sleeves designed by the legendary Peter Saville, followed by the huge world tour. Written and produced by both Paul Humphreys and Andy McCluskey, and recorded at Bleepworks in London, the new song ‘Don’t Go’ melds together the plaintive melancholia of McCluskey’s lyrical refrain and the soaring synth melody from Humphreys, combining to create the classic style of OMD.